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Food Writing Cliches: Penny Wise, Pound Foolish

food writing

In my food writing class at the CIA (Culinary Institute of America), I ask the students to compile a list of 20 food cliches. They then must attach their signature at the end of their work with their promise never to use any of them for as long as we both shall live.

They think this is a funny assignment, that is, until we fall in the trap ourselves. These are ‘accidents waiting to happen’.

In fact, just as we most enjoy the foods we have eaten before, we also find happiness in reading variations of the same detective novels and suspense movies. For instance, the formula for the James Bond movies are all the same:

1. Scene One: exotic location and the first of two beautiful woman appears

2. James Bond (“JB“) encounters villain (who invariably has a foreign accent, a cat and delusions of grandeur)

3. First beautiful woman is sleeping with villain

4. First woman betrays villain just in time to warn JB of impending danger

5. JB seduces first woman, who is immediately killed (horribly but imaginatively)

6. Villain cheats

7. JB  outcheats villain in the company of 2nd woman

8. JB gains entrance to villain’s lair in company with 2nd adoring woman

9. JB is caught and threatened with imaginative but horrible death by villain who offers a lengthy explanation of his plan for world domination

10. JB escapes. 2nd woman escapes

11. JB returns to villain’s lair with monitoring device.

12. Mayhem ensues involving helicopters, fire and many men in jump suits tumbling from high places. Villain dies. Imaginatively but horribly.

13. JB escapes in nick of time; runs; holding hand of beautiful woman

14. James Bond lies with woman in unusual setting as they figure out where to go for dinner.

You’ve heard it all before, but what the heck!

Like I was saying…’ food cliches are like junk food: they taste great at the moment, then are immediately followed by remorse and regret.’

If you can complete these cliches, you’ll get an ‘A’ for the exercise and a ‘F’ for original thinking. (Bonus points are given for adding to this list.):

“It’s on the tip of my _____.”

“Bite the ____.” “I’ll bite!”

He said, “Tongue in _____.”

As he ate the last slice of chocolate cake, he remarked, “No pain no ____!”

“Don’t have a cow!”

“He/she is just a meat and ________ person.”

“Bring home the _______.”

“As fresh as a ______.”

“As cool as a ___________.”

“As nutty as a ___________.”

“That’s the way, the __________ crumbles.”

“That’s like walking on ___________.”

“Hey, don’t count your __________ before they’re hatched.”

“What does that have to do with the price of ___ in China?”

“Life is like a box of _________, you don’t know what you’ll get.”

“A few ____ short of a happy meal.”

“There’s no such thing as a free _______.”

“Well, how do you like them _______?”

“Take that with a grain of _____.”*

Now, I, sign your name, promise never to use these hackneyed phrases in a cover letter or in any food writing. (Though nobody is perfect; I’m only human.)

Signature, please!

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Recipe for Success: Karen Berner, Food Editor

career changer, food media, food writing

Karen Berner, Food Editor, photo courtesy of Gloria Dawson

There are very few people I know whose career paths have moved in a straight line. The real constant is how they have matched and used their innate skills with their passion and possibility. I find these people the most interesting, don’t you? Take Karen Berner, for instance.

Karen is a successful food editor of websites and print, who combined a Fine Arts degree, an editor’s eye for accuracy, and a former IBM technical writer’s ability to communicate clearly and concisely. And, she changed careers to pursue her passion for food. Here, below, in her own words, is Karen’s recipe for success:

My path to the food-editorial world was somewhat unconventional. A career-changer at 37, I decided to pursue my secret dream of becoming a professional chef by enrolling at the Culinary Institute of America (CIA). But once there, I quickly realized there were many other interesting careers related to food outside of a restaurant kitchen.

My initial thoughts of happily toiling away behind the line changed when I was given the opportunity to do studio and test kitchen work for a food website geared to both professional chefs and cooking enthusiasts. It was the perfect fit; I’d be intimately involved with food, but this type of work would also tap into my creative side, one I still like to nurture every day.

Culinary Institute of America

My beginnings in the food world were humble. I started out working part-time in the CIA cookbook department, dealing with recipes for every cuisine under the sun. This job quickly led to producing food content and recipes in a test kitchen for a website. Here, I further honed my recipe development and editing skills as well as food-styling and photography abilities.

Working at a website, you’re often called on to wear many hats. So, I soon took on the responsibility of interviewing celebrity chefs. I’m sure their insights and contributions inspire many a student and food lover to follow their culinary path, myself included.

I later was able to transfer my skills to print media, working on the well-regarded Art Culinaire magazine for professional chefs. I essentially was doing the same work I handled for the website but took on more writing assignments. I also learned the tools necessary for putting a magazine together, including dealing with the pressures of deadlines and scheduling. My experience interviewing chefs came in handy; I was able to contribute to the popularity of the magazine while feeding the growing appetite for the inside scoop on celebrity and up-and-coming chefs.

I’d like to think that everything I’ve done up to now – writing, website work, technology knowledge, line cooking, recipe testing, teaching, and even experience as a private chef – has ultimately contributed to what I do today and aspire to do tomorrow.

Many have asked me what skills have made me a successful food editor. I think this can be boiled down to seven:

  1. Keeping on top of food trends that you know will interest your readers.
  2. Being able to purpose recipe and content that’s useful, approachable, friendly, and will appeal to a mass audience.
  3. Strong writing and editing skills, and the ability to adapt to a magazine, cookbook, or a website’s established voice, tone, and style. (Think Martha Stewart vs. Rachael Ray.)
  4. Strong management and organizational skills.
  5. Great contacts in the food industry.
  6. Solid recipe writing skills and the ability to edit ornery recipes when they’re problematic.
  7. Being able to look at a recipe and troubleshoot what might be wrong with it before you’ve had the chance to test it.

Experience is key and critical to success, but it’s not always enough to land your dream job. Networking (whether via the latest social media venues or simply by getting out there and shaking a few hands) and perseverance are just as important.

Although I’ve worked in many parts of the food industry, I’m most comfortable in a kitchen, where I’m developing and testing recipes, whether for magazines, websites, or cookbooks. Having a solid recipe and ingredient base knowledge opens many a door. Why, I’ve even judged the famous Pillsbury Bake-Off baking contest. What a hoot!

I’ve also had the opportunity to teach the fundamentals of cooking to food enthusiasts and found this to be extremely rewarding.

I’m happy to share that after many years in the industry I still enjoy what I do — it’s challenging.  It’s never the same from day to day, and I get paid to eat. Not too shabby.

But it is important to keep growing, to keep dreaming up the next adventure. If I have my way, my next food adventure will be working on a TV show as part of a culinary production team. I think my test kitchen, food-styling, food photography, management, directing and editing skills will be a value add to the production.

If you’d like to contact Karen, you can reach her at kbern57@hotmail.com.

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Paul Bocuse Is a Ham

culinary awards & food associations, culinary legends
Bocuse d'Or Award

Bocuse d'Or Award

This past weekend, a most important culinary competition was held at The Culinary Institute of America (CIA) in Hyde Park, NY. Twelve finalists–five of whom are CIA alumni–competed for the honor of representing the U.S. in the prestigious Bocuse d’Or World Cuisine Contest, that will be held January, 2011 in Lyon, France.

The competition takes place only every two years, and was established in 1987 by world-renowned French Chef Paul Bocuse. It is the preeminent international culinary competition in which teams of one chef and one commis from 24 countries compete for top honors and international acclaim. (It is the equivalent of winning the gold medal at the 2010 Olympics-winter or summer.)

These 12 finalists had a mere three hours to do the early preparation work on Friday prior to the final contest that was held Saturday. They had five-and-a-half hours to complete one Scottish wild salmon platter and one American lamb platter. The chefs were required to make a total of 12 servings for each platter, which also had to have three garnishes.

At the competition’s end, James Kent, 30, was chosen as winner. He is currently employed as the sous chef at Eleven Madison Park in New York City.

Jérôme Bocuse, the son of Paul, is a chef and a CIA graduate. He serves as a judge for the cooking contest along with other chef luminaries including Thomas Keller and Daniel Boulud.

Yet, I think I am safe in saying that none of the 800 spectators at the CIA knew about a (prior) dinner that was staged at a rented villa in the south of France.

The hosts were a couple of wealthy New Yorkers. The guests included the legendary Paul Bocuse and nine famous multi-starred French chefs. The hosts had dined in the various chefs’ restaurants for many years. They would leave generous tips at the conclusion of each meal. Thus they were remembered — vividly.

One year, the New Yorkers decided to turn the tables and invite the illustrious chefs to a “home-cooked” dinner at their rented villa. The main course was roast lamb.

Paul Bocuse was invited to carve the lamb. He walked slowly to the head of the table. He grasped the carving knife. He rested the fork on the surface of the lamb. A moment passed. Then another…

Sadly, he shook his head. “Madame,” he murmurred, “C’est terrible.”

“What?!,” wailed the hostess. “What’s terrible?”

“Ah, Madame…,” replied Bocuse mournfully. “You see, when the little lambs are in the field, the flies come. The lamb uses his right hind leg to brush away the flies. The right leg therefore gets more exercise than the left leg so it is more muscular. The left leg is more tender…”

“Madame,” he explained (with a twinkle in his eye), “you have chosen the wrong leg.”

The assembled chefs roared with convivial laughter.

The dinner was a huge success.

Paul Bocuse, (now 84?), lives on while all who know him tell stories of his genius, and his legendary sense of humor.

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